XENYX QX1202USB The compact QX1202USB mixer allows you to effortlessly achieve premium-quality sound, thanks to its 4 onboard studio-grade XENYX Mic Preamps and ultra-musical “British” channel EQs. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQs and a Klark Teknik 24-bit, dual engine FX processor with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects – and the QX1202USB becomes an incredibly versatile mixer for your live performances.
But the XENYX QX1202USB isn’t just designed to handle your live gigs; they also provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, the QX1202USB comes with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps
The XENYX QX1202USB gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX QX1202USB provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on all XENYX QX Series USB mixers.
Premium 22-Input 2/2-Bus Mixer with XENYX Mic Preamps and Compressors, British EQ, 24-Bit Multi-FX Processor and USB/Audio Interface
Premium ultra-low noise, high headroom analog mixer
8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
8 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
Neo-classic “British” 3-band EQs with semi-parametric mid band for warm and musical sound
New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable at www.behringer.com
Channel inserts on each mono channel for flexible connection of outboard equipment
3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux returns with flexible routing
Balanced main mix outputs with ?” jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs
Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs
Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
“Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Rack mount brackets included for ultimate flexibility